Sergey Savinov, a yesterday's schoolboy, who failed at his entry exams, is at the crossroads. Where to go to work? After working as a stand-by in a local recreation-and-entertainment park, he tries himself as a proof-reader in typography, a laboratory assistant in a plant and exhausts all his stock of photos for passes. To replenish it, he heads for a nearest photo saloon, and makes a conclusion, that his calling, which he long considered as a hobby, is photography. A work which brings so much happiness both to him and to other people.

Reflection on the relationship between the world and humanity. A journey in the 20th century, in a specific time and specific space.

Two rogue journalists clash over a damning video that could topple a crooked regime. As betrayal and blackmail mount, their twisted road trip spirals into chaos, murder, and a scandal that could bring the whole system crashing down.

A twelve-year-old half-Filipino, half-Japanese boy and his fellow classmate strive together to save their school library assistant who is grieving.

An intelligent, white-washed black youth adopted by a Caucasian family has a crisis of ethnic identity while growing up in white suburbia with his urban culture obsessed, white best friend.

A trans woman must dress like a boy to say goodbye to her dying grandmother.

Comedic short film about a girl whose best friend dies in a car crash and comes back to visit.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

When Steve Dallas, a womanizing local weatherman, hears that his off-the-grid best friend Ben Baker has lost his estranged father, the two return to Ben's childhood home. Once there, they discover Ben has inherited the family fortune, and the ill-equipped duo must battle Ben's formidable sister and deal with his father's gorgeous 25-year old widow.